Salve Ukraine! Bold in blue and yellow, the c55 Kyiv Cap carries the colours of the Ukrainian flag and the spirit of a nation that refuses to be silenced.
 
Emblazoned with “Kyiv” and “Konungsgarðr” – the ancient Norse name for Kyiv, cradle of Kyivan Rus' – this cap honours the city that once stood at the crossroads of Slavic and Viking civilisation. Kyiv was the beating heart of a shared legacy before Moscow ever rose – the founding city of an empire that would one day become Russia.
 
But history is not destiny. Ukraine has chosen a different path: European, democratic, and free.
 
While the Kremlin tries to rewrite the past and erase the present through brutal invasion, war crimes, and the abduction of Ukrainian children, Kyiv stands proud – not as a shadow of Moscow’s empire, but as the torchbearer of its true origin story. A story of connection, culture, and courage.
 
Wearing the c55 Kyiv Cap is a statement:
 
That truth matters. That Ukraine belongs to Europe – then as now. That freedom must be defended. Support Ukraine. Honour history. Choose courage.
 
FONTS - UNBOUNDED (GOOGLE FONTS) BY NAN
 
Unbounded
 
Unbounded—by both name and nature—is possibly the first open-source, freely available, and on-chain funded typeface in the world. It’s not just a font Google Font—it’s a public good, forged at the intersection of design, technology, and decentralisation.
 
Typographically, Unbounded walks an intriguing line: a sans serif that merges grotesque elements (see: /G /C /c /s…) with humanist touches (/a /e /f /g /n…), resulting in an unexpectedly cohesive rhythm. What truly sets it apart, though, is its bold use of chevron-shaped stems—notably on glyphs like /B, /E, /a, and /d—disrupting the vertical monotony and injecting a subtle motion into the type’s flow.
 
These angular decisions create a knock-on effect in its pinched, fish-like counters (in /a /b /d /p /q), giving Unbounded a lively, almost conversational warmth that’s rare in digital-native grotesques.
 
The family includes six display weights, from light to black, and a single variable font. It supports both Latin and Cyrillic scripts, with a glyph set of over 1,300 characters, including a suite of symbols and a modular figure-building system. A rare level of care has been given to the support of underrepresented languages, including those using the Pan-Nigerian alphabet and other African Latin-based orthographies.